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Introduction to Video Scaler
1. Amplified magnetic resonance imaging of video scalerAmplified magnetic resonance imaging (aMRI) is an MRI method which is coupled with video magnification processing methods to amplify the subtle spatial variations in MRI scans, to enable better visualization of tissue motion. aMRI can enable better visualization of tissue motion to aid the in vivo assessment of the biomechanical response in pathology. It is thought to have potential for helping with diagnosing and monitoring a range of clinical implications in the brain and other organs, including in Chiari Malformation, brain injury, hydrocephalus, other conditions associated with abnormal intracranial pressure, cerebrovascular, and neurodegenerative disease.The aMRI method takes high temporal-resolution MRI data as input, applies a spatial decomposition, followed by temporal filtering and frequency-selective amplification of the MRI frames before synthesizing a motion-amplified MRI data set. This approach can reveal deformations of the brain parenchyma and displacements of arteries due to cardiac pulsatility and CSF flow. aMRI has thus far been demonstrated to amplify motion in brain tissue to a more visible scale, however, can in theory be applied to visualize motion induced by other endogenous or exogenous sources in other tissues.aMRI uses video magnificent processing methods such which uses Eulerian Video Magnification and phase-based motion processing, with the latter thought to be less prone to noise and less sensitive to non-motion induced voxel intensity changes. Both video-processing methods use a series of mathematical operations used in image processing known as steerable-pyramid wavelet transformation to amplify motion without the accompanying noise. The MRI temporal data undergoes spatial decomposition, followed by temporal filtering and frequency-selective amplification and can allow one to visualize in vivo tissue and vascular motion that is smaller than the image resolution.------2. Use in blended/flipped classroom learning of video scalerSPOCs support blended learning and flipped classroom learning, which variously combine online resources and technology with personal engagement between faculty and students. Early research results point to improved learning and student outcomes using such approaches.In spring 2013, edX and MITx piloted two blended classroom implementations of 6.00x, Introduction to Computer Science and Programing at Bunker Hill and Mass Bay Community Colleges. The program was funded as part of a Bill and Melinda Gates Foundation grant. Students enrolled in the pilot courses completed the same exams as the 6.00x MOOC students, and scored an average of 10 points higher than their MOOC peers.When a SPOC is implemented at an institution, in concert with students, faculty determines which features and course content to utilize. This can include video lectures, assessments (with immediate feedback), interactive labs (with immediate feedback) and discussion forums used in MOOCs. Using MOOC technology allows the faculty to organize their time with students in different ways, such as allowing more time in class for project-based work instead of grading assignments or preparing lectures. SPOCs have been analogized to next generation textbooks, by allowing faculty to decide how to use some or all parts of the SPOC. In a SPOC as in a MOOC students typically access interactive content at their own pace. Instructors set their own grading scale.Colleges and universities can create SPOCs, or license them. In the latter instance, a SPOC might give the instructor an opportunity to deliver the material directly to students using video delivered by another expert, instead of assigning an article to read. Harvard University announced SPOCs for its curriculum in the fall of 2013. Unlike MOOCs, SPOCs have limited enrollment and are often used as part of a course for credit.------3. Frozen Mountain of video scalerFrozen Mountain Software is a Canadian software company known for various real-time communication SDKs and server components:LiveSwitch, a WebRTC-based on-premise hybrid media server that is capable of operating as a Selective Forwarding Unit (SFU) and/or Multipoint Control Unit (MCU) simultaneously within the same session. LiveSwitch extends basic WebRTC capabilities by including a SIP Connector for integration with traditional VOIP and PSTN telephony architectures. Large scale low latency audio/video broadcasting is supported via automatic media server scaling.IceLink, a WebRTC-compatible audio/video/data streaming SDK, available for JavaScript, .NET, Mono, iOS, Android, Xamarin, and Java, including support for non-WebRTC compliant browsers (such as IE) via ActiveX. IceLink includes full implementations of VP8 and PCM audio/video encoding/decoding on all supported platforms, as well as a self-contained DTLS implementation on all platforms.WebSync, a Bayeux-compliant Comet server for the Microsoft and Mono frameworks, enabling HTTP-based data push from server to client on a wide range of platforms, including JavaScript, .NET, Mono, iOS, Android, Xamarin, and Java. WebSync uses WebSockets when possible and falls back to long polling. It handles scaling to extremely large numbers of simultaneous connections with a provider model for swapping the back-end data services for use with server farms and clusters.TheRest, a .NET and Mono REST server infrastructure with clients pre-built for JavaScript, .NET, Mono, iOS, Android, Xamarin, and Java. It incorporates a framework for handling translation between exceptions and HTTP error codes, an aspect-oriented approach to mapping URLs to function calls, and a pluggable data transport mechanism that allows XML, HTML, JSON, etc. to be used interchangeably.Frozen Mountain's goal is to simplify the development of real-time web and mobile applications for business owners as well as develop consumer products that enhance collaboration.------4. Carhenge: Genius or Junk? of video scalerCarhenge: Genius or Junk? is a 2005 documentary film about Carhenge, an artist's almost-to-scale interpretation of Stonehenge, but built with automobiles instead of megaliths. Located in Western Nebraska, Carhenge has become a huge tourist attraction and also a center of local controversy.In the film, creator Jim Reinders challenges a community's definition of art, freedom of political expression, and appropriate land use development. This documentary focuses on Reinders' effort to erect the monument, and to then keep it from being dismantled. It also addresses aspects of public art and how, in many forms of art, the creative effort is often more about group unity than about the final end-product. The program runs 26:40.The director, David Liban is a professor at the University of Colorado Denver.This film has been broadcast on Public broadcasting stations nationally, Israeli television, and at the following film festivals and conferences:Australian International Film Festival, Melbourne, Australia, Oct 2006Berkeley Video and Film Festival, Berkeley, CA - Oct 28, 2005Boulder International Film Festival, Boulder, CO - Feb 2006Big Muddy Film Festival Carbondale, IL - Feb 2006Sarasota Film Festival, Sarasota, FL - April 2006James River Film Festival, Short Film juried Competition, Richmond VA - April, 2006Trenton International Film Festival, Trenton, NJ - May 2006The Estes Park Film Festival, Estes Park, CO - September 2006Spotlight Nebraska Film Festival, Scottsbluff, NE - October 2006Wild and Scenic Environmental Film Festival, Nevada City, CA - January 1315, 2006Starz Film Center, Colorado Filmmakers Showcase, Denver, CO - Dec 5th, 2005Popular Culture Assoc. National Convention, Atlanta, GA - April, 2006Popular Culture Assoc. Southwest Regional Convention, Albuquerque, NM - Feb 2006University Film and Video Assoc. Conference, Chicago, IL - Aug. 2005University of Colorado at Denver, Theatre, Film and Video Production Series -Sept., 23, 2005------5. Exhibits and events of video scalerIn 2000 and 2001, the Townhouse Gallery contributed to the establishment of the Nitaq Festival in Cairo, which was an art festival situated in downtown that aimed to expose the contemporary art scene to the public. The festival included multimedia video installations that were created by various artists including Lara Baladi, Amina Mansour, Hassan Khan, Wael Shawky and Mona Marzouk. Townhouse also initiated Egypt's first exhibition dedicated to photography in 2002, calling it PhotoCairo, with the aim of exposing the public to the various forms of self-expression that are evident in the world of photography. This event proved to be quite successful in 2002 so the event was repeated in 2003 and 2004, accompanied by the Open Studio Project.Recent exhibits that have been on display during February and March 2010 in the Townhouse Gallery include The Girl Splendid in Walking by Doa Aly and Making A Man Out of Him by a Professor at the American University in Cairo, Huda Lutfi. Both works have proven themselves quite unique to their audiences, each providing a specific experience to the visitors of the Townhouse Gallery.Regarding Doa Aly's work, the video installation, inspired by Wilhelm Jenson's Gradiva, includes scenes where the girl was in a room, walking and tracing the sunlight with her feet as it beamed through the window, like she was going after the light. Meanwhile, Lutfi's Making a Man Out of Him, uses the symbolism of the male anatomy as a means of criticizing society's perspective on masculinity. This illustrates how the Townhouse Gallery has the ability to display art that may be viewed as controversial.------6. Svetha Venkatesh of video scalerSvetha Venkatesh is one of the top 15 women in the world in Artificial Intelligence. She is Indian/Australian and is the Alfred Deakin Professor in the Faculty of Science, Engineering & Built Environments, in the Department of Pattern Recognition and Data Analytics at Deakin University, as well as a professor of computer science and director of the Centre for Pattern Recognition and Data Analytics (PRaDA) at Deakin. She was elected a Fellow of the International Association of Pattern Recognition in 2004 for her contributions to the "formulation and extraction of semantics in multimedia data". She was also elected a Fellow of the Australian Academy of Technological Sciences and Engineering in 2006 and an ARC Laureate Fellow in June 2017.Venkatesh has developed new technologies in large-scale pattern recognition in big data. Her work has led to start-ups such as iCetana which finds anomalies through video analytics to detect potential security threats in large data sets; the development of a health analytics program which enables doctors to predict suicide risk; and PRaDA's development of the Toby Playpad app which provides therapy for children with autism. Her work on using surveillance data led to the development of a "virtual observer" which was used after the 2005 London bombings.Based on gender diversity analysis of 1.5m research papers, Svetha Venkatesh is one of the top 15 women in the world contributing to artificial intelligence research. She is based in Geelong, Victoria.Venkatesh delivered the 2015 Harrison Lecture for Innovation. In addition to her research, in 2015 she founded SPARK Deakin - Deakin University's flagship entrepreneurship program.Venkatesh's son, Akshay, a mathematician specialising in number theory and related topics, was one of the four Fields Medal winners in 2018.------7. Online video of video scalerAfter releasing Rocketboom in late 2004, Baron established himself as one of the first vloggers and arguably one of the most influential. With Rocketboom, Baron built one of the first large audiences around a video show, and went on to generate the first large-scale advertising deals.On August 19, 2005, Baron was interviewed on CBS Evening News. In an "Eye on America", segment CBS veteran Jim Axelrod commented on the effort at daily news coverage on a limited budget and Baron's early grasp of the next Internet wave. "You know what they call that? Vision."Baron directed a portion of "Killer," an episode of CSI: Crime Scene Investigation which aired February 2, 2006.Steve Jobs featured Baron's Rocketboom on stage when releasing the video iPod and again when releasing the AppleTVIn March 2006, Baron commented on the sale of a week of advertising for $40,000 on eBay in Brandweek:"Advertising with us has extra value because we aren't going to accept advertising from someone whose morals are against us, someone like Hummer," said Rocketboom producer Andrew Baron. The creators of the show are acting as ad agency as well as media for the ads for TRM and EarthLink. "We've got to approve the ads and if we like them, chances are our viewers will like 'em."In 2008, Baron created the first version of the Know Your Meme database, to accompany a spin-off show he created and produced for Rocketboom.Also in 2008, with one of the most followed Twitter accounts, Baron made international news when he put his Twitter account up for sale on eBay.Baron released his third major site, Magma, in 2009.In 2011, Baron sold Know Your Meme to Cheezburger in a reported "low seven-figure deal".
Knowledge Related to DScaler
DScaler is an open-source video deinterlacer and scaling program for Microsoft Windows. Version 4 is a complete standalone program, while version 5 is planned to be a DirectShow filter. The last publicly committed change to the source code was on 2 April 2012, suggesting the project has been abandoned. From Version 4.1.17, Direct3D output and Windows Vista x64 are supported as a test version. · Other Related Knowledge of video scaler List of Current ITV Sport personnel of video scaler Football Eni Aluko (Also works for Prime Video) Craig Bellamy Jon Champion (Also works for ESPN, BT Sport and Prime Video) Gabriel Clarke (Also works for Prime Video) Lee Dixon (Also works for NBC Sports, BT Sport and Prime Video) Iain Dowie (Also works for Sky Sports and BT Sport) Peter Drury (Also works for NBC Sports, Sky Sports and BT Sport) Patrice Evra (Occasionally appears on Sky Sports) Celina Hinchcliffe Glenn Hoddle (Also works for BT Sport and Prime Video) Seema Jaswal (Also works for BBC Sport and Prime Video) Roy Keane (Also works for Sky Sports) Henrik Larsson Sam Matterface (Also works for Talksport) Ally McCoist (Also works for BT Sport and Talksport) Jacqui Oatley (Also works for BBC Sport and Sky Sports) Gary Neville (On loan for 2018 World Cup from Sky Sports) Martin O'Neill Mark Pougatch (Also works for BT Sport) Joe Speight (Also works for Premier League Productions and BT Sport) Andy Townsend (Also works for BT Sport) Clive Tyldesley (Also works for NBC Sports, Talksport and BT Sport) Ian Wright (Also works for BBC Sport)Boxing Gabriel Clarke George Groves David Haye Ronald McIntosh (Also works for BBC Sport and BT Sport) Duke McKenzie Mark Pougatch (Also works for Channel 5) Richie Woodhall (Also works for BBC Sport & BT Sport)Cycling Chris Boardman (Also works for BBC Sport) Ned Boulting Gary Imlach Hugh Porter David Millar Matt SmithDarts Dan Dawson (Also works for BBC Sport, PDC TV and Talksport) Chris Mason (Also works for Talksport & Eurosport/Quest) Jacqui Oatley Stuart Pyke (Also works for BBC Sport and Sky Sports) John Rawling (Also works for Talksport & Eurosport/Quest) Alan Warriner-Little (Also works for BBC Sport)Horse Racing Ian Bartlett Oli Bell Matt Chapman (Also works for Sky Sports Racing) Ed Chamberlin Francesca Cumani Mick Fitzgerald Brian Gleeson Sally-Ann Grassick Luke Harvey Charlotte Hawkins Mark Heyes Richard Hoiles Chris Hughes Mark Johnson AP McCoy Johnny Murtagh Victoria Pendleton Rishi Persad (Also works for Racing TV) Alice Plunkett Brough Scott Hayley Turner Lucy Verasamy Jason WeaverMotorsport David Addison Louise Goodman Tim Harvey Barry Nutley (Also works for my Eurosport) Niall Mackenzie (Also works for Eurosport) Steve Rider Paul O'Neill Phil Glew Simon Hill Richard John-NeilRugby Union Maggie Alphonsi (Also works for Sky Sports) Martin Bayfield (Also works for BT Sport) Marco Bortolami Gabriel Clarke Lawrence Dallaglio (Also works for BT Sport) Gordon D'Arcy (Also works for BBC Radio 5 Live & Eir Sport) Jill Douglas Craig Doyle (Also works for BT Sport) Sean Fitzpatrick (Also works for Sky Sports) David Flatman (Also works for Channel 5 and BT Sport) Martin Gillingham George Gregan Bryan Habana (Also works for Channel 4) Jim Hamilton (Also works for BBC Sport) Miles Harrison (Also works for Sky Sports and Channel 4) Scott Hastings (Also works for Sky Sports) Ben Kay (Also works for BT Sport) Michael Lynagh (Also works for Sky Sports) Sir Ian McGeechan Nick Mullins (Also works for BT Sport) Ugo Monye (Also works for BT Sport & BBC Radio 5 Live) Brian O'Driscoll (Also works for BT Sport) Paul O'Connell (Also works for BBC Sport) Mike Phillips Mark Pougatch Alan Quinlan (Also works for Sky Sports) Jamie Roberts Jason Robinson Gareth Thomas Sam Warburton Simon Ward Danielle Waterman Shane Williams (Also works for BBC Radio 5 Live) Jonny Wilkinson Sir Clive WoodwardSnooker Jill Douglas Rishi Persad Neal Foulds (Also works for Eurosport/Quest) Alan McManus (Also works for BBC Sport) Stephen Hendry (Also works for BBC Sport) Ken Doherty (Also works for BBC Sport) Joe Perry David Hendon (Also works for Eurosport/Quest) Phil Yates (Also works for Eurosport/Quest)Tennis Marion Bartoli (Also works for BBC Sport) Jim Courier (Also works for Prime Video and Nine Network) Celina Hinchcliffe John Inverdale (Also works for BBC Sport) Anne Keothavong Nick Mullins (Also works for BBC Sport) Mark Petchey (Also works for BBC Sport and Prime Video) Fabrice Santoro Sam Smith (Also works for BBC Sport and Prime Video) ------ Works of video scaler Landscapes and Silence (2016)Landscapes and Silence featuring Horowitzs work Starfields and Fields (2016), was realized with the collaborative support of Edgar Pinto and exhibition co-curator Tanya Abraham of the Kashi Art Gallery and the Art Outreach Society (TAOS) in Kochi, Kerala. Imaging Saturn (2016)Imaging Saturn (2016) is a multimedia installation that focuses on Saturn, its orbit, and the paths of the sun and surrounding stars. Incorporating aspects of participatory science and data visualization, the exhibit combines astronomy and astrophotography with mapping of Saturn's ecliptic, a mechanized orbiter (developed with Ray Peterson), kinetic sculptures, and video. It reflects an interest in Saturn going back to 2010. Blurry Canada (2011)During a road trip across Canada in 2010, Horowitz recorded 175 hours of continuous video and 20,000 images. Seventy-five chromogenic prints, and all 175 hours of video in a 13-day loop, were exhibited in her show Blurry Canada at Dunlop Sherwood Village Gallery in Regina in 2011. The exhibit was shown at the Art Gallery of Southwestern Manitoba in 2012. Trio (2008)Trio is a multichannel video installation that shows Horowitz' efforts to learn to play Franz Schubert's Piano Trio No. 2, a trio for piano, cello and violin. Trio was presented at the Experimental Art Foundation in Adelaide, Australia, in 2008. Trees of Canada (2007)For Trees of Canada Horowitz drew upon Canada's 2004 National Forest Inventory as an inspiration for examining indigenous and naturalized trees. Her resulting series of acrylic paintings was exhibited in 2007 at the Profiles Gallery, St. Albert, Alberta, and in 2008 at MKG127 Gallery, Toronto, Ontario. Twenty pieces from Trees of Canada (2007) were acquired by Department of Foreign Affairs and International Trade for the permanent collection of Canada House in London, England. Horowitz attended the unveiling, at which Queen Elizabeth II was present. twitch (2003)twitch (2003) is a group exhibition curated by Risa Horowitz. It began as a two person exhibit which was orchestrated by the selection committee for regular programming at Ace Art inc. This hybrid collaboration consisted of five artists; David Rokebys Very Nervous System; Garnet Hertzs Experiments in Galvanism; Nicholas Stedmans The Blanket Project; Kevin Yates Untitled (Dying Bull) and other works; and Erika Lincolns Scale. twitch invites the viewer to consider the simulated fantasy that technology and interactive media can provide throughout the exhibit. Horowitz describes the exhibit; twitch is about comfort; thought; pleasure; mystery; learning; joy; fear; pain; the search for meaning; mythology and enabling myths; our place in the universe; loneliness. Melitzah (20002007)Melitzah (20002007) is an extensive vocal performance coupled with the Canadian Oxford Dictionary. Horowitz visualized every word in the dictionary with a waveform of her pronunciation of that word and documented her visualization in a set of 138 books and a website. Melitzah was selected for the FILE Electronic Language International Festival, So Paulo Brazil, in 2005. girl before a mirror (2000)girl before a mirror (2000) is an MFA project completed at the University of Saskatchewan originally exhibited at the Gordon Snelgrove Gallery. It is based loosely on a 1932 painting of the same name by Pablo Picasso. Horowitz started with a catalog of photographic self portraits compiled between 1993 and 1999 in the Canadian communities of Toronto, French River, Windsor, Vancouver, and Saskatoon. The concept of a mirror is here being used as an analogue for a self portrait, with the idea that the portrait never perfectly reflects the actual person. Horowitz used the concept to explore a triple level of surveillance. She was surveilling herself through her own self portraits. By exhibiting them on the web and in galleries, she was allowing others to perform their own surveillance on her surveillance. Finally, since the web site recorded such things as search terms, she was able to do her own further surveillance of her audience through the way they interacted with her site.
Knowledge Related to Scale Up
Scale up, Scale-up, or scaleup may refer to: Scalability, the ability to function with different amounts of required work, or to be readily adjusted to do so Scale-up (chemical engineering) in chemical engineering, the migration of a process from the lab-scale to the pilot plant-scale or commercial scale Scaleup company · Other Related Knowledge of video scaler History and protest planning of video scaler DisruptJ20 was founded around July 2016, about six months before Trump's inauguration. "J20" was chosen to stand for January 20, the scheduled day of the 2017 inauguration. DisruptJ20 was publicly launched on November 11, 2016 with a YouTube video and social media accounts. It and its aims were described in an interview with Legba Carrefour, "an organizer with DisruptJ20", as an umbrella coalition of groups with a core of local organizers who have a lot of activist experience. Washington, D.C. organizers . most of whom are anarchists. . The idea . is we want to undermine Trump's presidency from the get-go. There has been a lot of talk of peaceful transition of power as being a core element in a democracy and we want to reject that entirely and really undermine the peaceful transition.According to Nelson of the U.S. News, the DisruptJ20s website in December 2016 associated the organisation with the "DC Welcoming Committee DCWC collective" (describing it as "being assisted by" the DCWC) and Nelson reports that DisruptJ20, at this time, involved individuals from an array of progressive groups (as individuals, rather than representing their groups). Nelson quotes Carrefour, who he describes as "a local anarchist handling press" for DisruptJ20, as indicating that "more than 200 people attended an organizing meeting at a local church . on short notice" and that photographs "showed supporters representing a range of ages and interests." Regarding intent, Carrefour stated to Nelson, We are planning to shut down the inauguration, that's the short of it . We're pretty literal about that, we are trying to create citywide paralysis on a level that I don't think has been seen in D.C. before. We're trying to shut down pretty much every ingress into the city as well as every checkpoint around the actual inauguration parade route.On January 14, 2017, about a hundred demonstrators met at the American University to plan and prepare their protests. Carrefour described their plans for inauguration week, beginning the weekend of January 1415, 2017 ("MLK weekend"), indicating that DisruptJ20 was: holding "an Action Camp . doing a lot of non-violent direct action trainings" on that weekend; sponsoring a "queer dance party" at the residence of Vice President Mike Pence, on Wednesday, January 18; arranging an "action" for the DeploraBalldescribed as an "Alt-Right Trump inaugural ball"on Thursday, January 19, with the aim of "trying to shut that down"; having, on the 20th, inauguration day, "blockades . at all the checkpoints around the inauguration parade route and to get into the viewing area . transit blockades all day . several unpermitted marches, an especially big one at Logan Circle" at 10 A.M., and a permitted march at 12 P.M., as well as events going on throughout inauguration evening."After the January 14 meetings, James O'Keefe of Project Veritas posted a video shot at pizzeria Comet Ping Pong in the capital showing members of the DC Antifascist Coalition, a part of DisruptJ20, planning to disrupt the DeploraBall at the National Press Building on January 19through use of stink bombs (of butyric acid) and activation of the building's sprinkler system. DisruptJ20 countered that it had caught on to the Veritas operation and had thus fed its operative a false plot; however, based on the video, the DC police arrested a man associated with the groupclarification needed on January 19, 2017 for his alleged planning to disrupt the DeploraBall. Veritas released a second part to the video showing DisruptJ20 participants discussing their plans to create blockades for bridges and trains; as a result of the latter video, a DisruptJ20 organizerwho? announced that the group would scale back on their blockade efforts, and only shut down one bridge. ------ Selected works of video scaler Genesi: from the museum of sleep by Socetas Raffaello Sanzio (1999) - music and sound for director Romeo Castellucci's landmark piece for theatre. Il Combattimento by Socetas Raffaello Sanzio (2000) - with the Roberto Gini Ensemble. Scribble by Golan Levin, Scott Gibbons and Gregory Shakar (2000) - a performance on Levin's AVES gestural audio-video synthesis software. Subterranean Sky (2001) with sculptor George DeMerle. Dialtones by Golan Levin, Scott Gibbons and Gregory Shakar (2002) - a performance for more than 200 cell phones. Tragedia Endogonidia by Socetas Raffaello Sanzio (200204) - music and sound for a series of eleven episodes, eleven video documents, an atlas room and numerous outgrowths. Feu d'Artifice by Scott Gibbons and Groupe F (2003) - music arranged and performed using only captured sound and samples of pyrotechnics. The Cryonic Chants by Scott Gibbons and Chiara Guidi (2005) - a vocal concert on a text which was formulaically created by a goat. Flame Tornado (2005) with Kevin Binkert - music arranged and performed using only captured sound and samples of Binkert's flame vortex device. Hey Girl directed by Romeo Castellucci (2006). Music for the inauguration of the Berardo Collection Museum with multimedia and pyrotechnics by Groupe F (2007) La Face Cache du Soleil by Groupe F (2007) - theatre of fire, light and pyrotechnics with music by Laurent Dehors, Scott Gibbons and Eric Travers. Grandes Eaux by Groupe F (2007) - theatre of fire, light and pyrotechnics. Night Must Fall with Chiara Guidi (2008) Madrigale Appena Narrabile with Chiara Guidi (2008) Music for the launch of Microsoft Vista with multimedia and pyrotechnics by Groupe F (2008) La Flamme de mes Rves (Lux Populi ep. 1) by Groupe F (2008) - theatre of fire, light and pyrotechnics. Music for the Opening Ceremony of the World Expo 2008 in Zaragoza with Groupe F (2008) des Paysages by Groupe F (2007) - theatre of fire, light and pyrotechnics. Inferno, Purgatorio, Paradiso directed by Romeo Castellucci (2008) - trilogy freely inspired by the Divine Comedy of Dante Alighieri, with original music by Scott Gibbons with the Hilliard Ensemble Music for the 120th anniversary of the Eiffel Tower with multimedia and pyrotechnics by Groupe F (2009) J. Sul concetto di volto nel Figlio di Dio directed by Romeo Castellucci (2010). Teatro Anatomico Infantile with Chiara Guidi (2009) l'ultima volta che vidi mio padre with Chiara Guidi (2009) Les Noces Royales de Louis XIV by Groupe F (2010) - theatre of fire, light and pyrotechnics. L'Autre Monde by Groupe F (2010) - theatre of fire, light and pyrotechnics. Coups de Foudre by Groupe F (2010) - theatre of fire, light and pyrotechnics. Music for the inauguration of the Centre Pompidou-Metz with multimedia and pyrotechnics by Groupe F (2010) Music for the inauguration of the Mediterrania Sadia with multimedia and pyrotechnics by Groupe F (2010) Encounter with Firaz Ghazzaz (2011) Augustinian Melody with Chiara Guidi (2011) Folk. directed by Romeo Castellucci (2012). The Four Seasons Restaurant directed by Romeo Castellucci (2013). Ulysse au Pays des Merveilles by Groupe F (2013) - theatre of fire, light and pyrotechnics. The Breath of the Volcano by Groupe F (2013) - with Richard Nunns & Paddy Free Go Down, Moses directed by Romeo Castellucci (2014). Unheard : Sonic arrangements from the microcosmos with Romeo Castellucci (2014) A Fleur de Peaux by Groupe F (2014) - theatre of fire, light and pyrotechnics. Le Magicien d'Eau by Groupe F (2014) - theatre of fire, light and pyrotechnics. Le Sacre du Printemps by Romeo Castellucci (2014) - with Teodor Currentzis The Four Seasons Restaurant directed by Romeo Castellucci (2014). Oedipus the Tyrant' directed by Romeo Castellucci (2015). Orestea (una commedia organica?) by Socetas Raffaello Sanzio (2015) - directed by Romeo Castellucci. Skin of Fire by Groupe F (2015) - theatre of fire, light and pyrotechnics with music and field recordings by Scott Gibbons. Des Mondes Magiques by Groupe F (2015) - theatre of fire, light and pyrotechnics. The Minister's Black Veil directed by Romeo Castellucci (2016) - with Willem Dafoe Feux Gaulois by Groupe F (2016) - theatre of fire, light and pyrotechnics. Feux Romains by Groupe F (2017) - theatre of fire, light and pyrotechnics. Suspended Time by Groupe F (2017) - commissioned for the 50th anniversary of Sgt Pepper's by the City of Liverpool Democracy In America directed by Romeo Castellucci (2017). Music for the inauguration of the Louvre Abu Dhabi with multimedia and pyrotechnics by Groupe F (2017) Whist by AE (2017) - with Jozef van Wissem Vital! by Groupe F (2017) - theatre of fire, light and pyrotechnics with music and field recordings by Scott Gibbons. Feux Sacrs by Groupe F (2018) - theatre of fire, light and pyrotechnics. La Vita Nuova directed by Romeo Castellucci (2018). Tutto/Everything with Romeo Castellucci (2019)
Knowledge Related to Handfish
Handfish are any anglerfish within the family Brachionichthyidae, a group which comprises five genera and 14 extant species. These benthic marine fish are unusual in the way they propel themselves by walking on the sea floor rather than swimming · Other Related Knowledge of video scaler Distribution of video scaler Handfish are found today in the coastal waters of southern and eastern Australia and Tasmania. This is the most species-rich of the few marine fish families endemic to the Australian region. The biology of handfishes is poorly known and their typically small population sizes and restricted distributions make them highly vulnerable to disturbance. Some species are considered to be critically endangered. ------ Anatomy of video scaler Handfish grow up to 15 cm (5.9 in) long, and have skin covered with denticles (tooth-like scales), giving them the alternate name warty anglers. They are slow-moving fish that prefer to 'walk' rather than swim, using their modified pectoral fins to move about on the sea floor. These highly modified fins have the appearance of hands, hence their scientific name, from Latin bracchium meaning "arm" and Greek ichthys meaning "fish". Like other anglerfish, they possess an illicium, a modified dorsal fin ray above the mouth, but it is short and does not appear to be used as a fishing lure.dubious discuss The second dorsal spine is joined to the third by a flap of skin, making a crest. ------ Extinction of video scaler In March 2020, the smooth handfish (Sympterichthys unipennis) was declared extinct in the IUCN Red List. Once common enough to be one of the first fish to be described by European explorers of Australia, but not seen for well over a century, this is the first modern-day marine fish to be officially declared extinct. In 1996, the spotted handfish (Brachionichthys hirsutus) was the first marine fish to be listed as critically endangered in the IUCN Red List. ------ Fossil record of video scaler The prehistoric species, Histionotophorus bassani, from the Lutetian of Monte Bolca, is now considered to be a handfish, sometimes even being included in the genus Brachionichthys. Considering the low extant diversity, restricted geographical distribution, and very meager fossil record of antennarioids in general, the existence of fossil representatives of the family Brachionichthyidae is unusual.
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